Texts by Nancy Spector and Neville WakefieldMatthew Barney. The CREMASTER Cycle |
Form follows Fiction |
David SummersReal Spaces. World Art History and the Rise of Western Modernism |
Andy Goldsworthy, Judith CollinsMidsummer Snowballs |
Miwon KwonOne Place after Another. Site-Specific Art and Locational Identity. |
by Cristina Iglesias, Richard Etlin, Iwona Blazwick, Cristina Etlin, Richard Iglesias, Anthony Vidler (Editor)Cristina Iglesias |
Mark Francis, Cristina Colomar, Christabel Stewart (Ed.)Fig-1. 50 Projects in 50 Weeks. London 2000. |
Krzysztof WodiczkoCritical Vehicles. Writings, Projects, Interviews. |
Marc-Olivier Wahler (Ed.)EXTRA |
Klinik, Morphing SystemsMorphing |
Addison Gallery of American Art (Ed.)The Architectural Unconscious: James Casebere and Glen Seator |
Marente Bloemheuvel, Jaap Guldemond (Eds.)Twisted. Urban and visionary landscapes in contemporary painting |
Liam Gillick, Pipilotti Rist, Anders GuggisbergBridge the Gap |
Rosalind E. KraussThe Optical Unconscious |
Paul VirilioArt and Fear |
Deborah Wye (Ed.)The Russian Avant-Garde Book 1910-1934 |
Essay by Hal Forster, Photographs by Dirk ReinartzRichard Serra. Torqued Spirals, Toruses and Spheres |
Bruno Latour, Peter Weibel (Eds.)Iconoclash. Beyond the Image Wars in Science, Religion and Art |
CatalogueDocumenta11_Platform5: Exhibition |
Gordon Burn, Damien HirstOn the way to work |